The Assassination of Jesse James by the Coward Robert Ford
5 out of 5; 10 out of 10; a bloomin' 
thingy if you must... 
You may have the impression from the subtle heading that I quite like this film and you would be right. Mesmerising, haunting, beautiful and challenging. A remarkable film about a remarkable man (well, two). I cannot recommend it enough.
The plot is very simple and all you need to know is in the title. Jesse James, in the twilight of his career, is unsportingly shot in the back by young Robert Ford, who had grown up idolising James and dreaming of riding with his gang. The story starts with Robert trying to ingratiate himself with Jesse having been introduced by Charley Ford, his brother. Jesse's original gang has been decimated and he now rides with anyone who wants to come along. They do one more train robbery and then Frank James leaves. This was pretty much Jesse's last robbery, though he speaks continually of doing more, despite his paranoia (oft justified) making him unstable. All the while the relationship between himself and the obsessed Robert is getting more and more complicated.
This is an unusual film. A western about a notorious thief, murderer and folk hero yet has very little solid action across it's two and a half hour runtime. Instead of gunplay, we get a thoughtful work of art, quietly narrated, and with some of the most beautiful photography seen since at least Dances With Wolves, possibly earlier. You may think it sounds slow, but it is absolutely engrossing, the time flies by and it never loses focus or confidence in its themes and characters. The pacing is just perfect.
This is in no small way thanks to the brilliant cast. Sam Rockwell plays Charley Ford, always on the sidelines, becoming more panicky. Sam Shepard has a relatively tiny role as Frank James, but he seems to resonate throughout the story. At the centre are the two main men and both Brad Pitt and Casey Affleck are astonishing. Pitt is incredible; an air of quiet almost constant authority, broken by sporadic violence and a maniacal laugh, but still demands your sympathy. Affleck's is a nervy and slimy character, who never seems comfortable, perhaps until the end, when the consequences of his actions change him. Note that comfortable is not necessarily happy.
Overall the story deals with the notion of celebrity and media, so has a clear relevance today. Jesse James is at once an outlaw and a hero, struggling to balance a true and worthwhile family life with psychopathic obsessions, paranoia and depression; Ford has grown up hearing about the hero and meets the charismatic outlaw and he's a constant mess of emotions. His act of cowardice (born out of fear) is briefly congratulated, but quickly ridiculed, eventually leading to his own rather more random assassination.
This film is not for everyone, but everyone should try it. You may be surprised. On a side note, I was intrigued to notice that Ridley Scott was a producer. Reviews of his biographical true story American Gangster often noted that although it is very good in general, it has little of his original flair and could be accused of being pedestrian. Almost like he used to sacrifice story for flair, now it's the other way around. Not to take anything away from Scott, but with this film director Andrew Dominik proves you can have both. I'm particularly fond of a trick he uses where the edges of the frame are soft focus (much like the photographs from the era); the whole film looks gorgeous and the very final shot lives on in your mind.
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