Recent Topics

Welcome, Guest. Please login or register.
May 14, 2024, 02:11:03 PM

Login with username, password and session length

Members
  • Total Members: 54
  • Latest: zappman
Stats
  • Total Posts: 111911
  • Total Topics: 4497
  • Online Today: 112
  • Online Ever: 323
  • (January 11, 2020, 10:23:09 PM)
Users Online
Users: 0
Guests: 69
Total: 69

Member's Reviews

The Confessor, a review by Rich


The Confessor



Everyone Has A Secret To Confess.

Christian Slater (True Romance, Interview With A Vampire) stars in this tense psychological thriller about a priest caught in the middle of a dangerous murder case. While making his name as a loyal public relations representative for the Catholic Church, Daniel Clemens (Slater) has lost his true calling. But when a fellow priest is accused of a brutal slaying, Clemens defies church orders and continues investigating the case to prove the priest's innocence. With the aid of local reporter (Molly Parker, Nine Lives, TV's Deadwood) and a church lawyer (Stephen Rea, The Crying Game, The End Of The Affair), Daniel soon discovers the deadly truth which will test his faith to the limit.


With a made for TV feel about this movie, it really does not grab the attention, is short on suspense or mystery, and is the type of fare I would only recommend for a wet Sunday afternoon if you were really bored.
Poor old Slater really has filled his career with some average films, I always thought he warranted better roles.
 :-\

(From Riches Random Reviews on January 10th, 2009)

Member's Reviews

Vanishing Point, a review by Jon


VANISHING POINT (1971)
5 out of 5




Kowalski is only delivering a car, driving it from Denver to California. But he's going to do it loaded on speed in less than 15 hours!

This could be it. The best car movie ever made. First it was released in 1971, already responsible for Duel and Two-Lane Blacktop, so obviously this type of movie was in vogue. It has the best car of this marathon in the white Dodge Challenger, also used in Death Proof as a direct homage to Vanishing Point. But most of all the screenplay is superb, able to touch on the nostalgic freedom of Easy Rider and Two-Lane, but still set the standard for car chase action.

The driver is Kowalski, and he is determined to deliver the car to California in less than 15 hours, driving straight through, fuelled on speed. This quickly comes to the attention of several police forces who chase him across states. Along the way he is aided by blind DJ Super Soul, who promotes him as the last great American hero. Though he never has any idea of his celebrity, Kowalski meets several colourful characters along the way.

Played by Barry Newman, Kowalski may sound reckless, but through various tussles with police and fellow speed freaks, we see he is honourable and considerate. How many drivers in these sort of films do you see stopping to check someone they just ran off the road is ok? Or refusing to take the offered benefits of a naked girl on a motorbike, who is almost like a siren. Yes, I did say Naked Girl on motorbike!  :drooling:

So why the hell is he doing this? He must realise he is doomed. Therein lies the interpretation for the viewer, while attracted to the freedom of the open road. Long car chases always have lulls, but this cleverly folds in concise flashbacks to bridge the stunts, where we learn of Kowalski's past and as we piece it together, his current self-destruction becomes more clear.

The film effortlessly moves from set-piece to comedy and even to a bit of social commentary. In one hilarious scene, two gay robbers are dealt with, while in another, we see brutal racism as the police deal with Super Soul and stop his rallying support temporarily. There's also room for an existential pit-stop in the desert. In between, the scale of the car chase set-pieces are astonishing and superbly choreographed. Despite all these changes in tone, the pace of the film never lets up or feels forced, right up to it's incredible ending. The supporting characters are never forgotten and are all great fun. Super Soul makes for a great running commentary aiding the mood.

The influence this film has had can be felt ever since. Smokey and the Bandit for one is almost a full-on comedy remake (a time-limited smuggling run attracts dozens of pursuing police while the driver becomes a folk hero) while the car scenes have been rarely matched considering they are the film, rather than just part of it.

Strangely, the film was cut in the States, but uncut in the UK. However, the UK Region 2 DVD is the cut version, while the Region 1 has both. Go figure. Go get the region 1... ???

The Car's the star: Dodge Challenger


Trailer

(From Car Movie Marathon on August 21st, 2008)

Member's TV Reviews

The Flash Marathon, a review by addicted2dvd


The Flash Marathon

Image: This thug thought he could take on The Flash

Episode 11 - Beat the Clock
A need for speed. Julio is certain that a jazz immortal on Death Row is innocent. But he's scheduled for execution at midnight - and Julio, Tina and Barry have only one hour to prove the jazzman is not guilty.

Guest Stars:
Richard Belzer as Joe Kline
Thomas Mikal Ford as Elliott Cotrell
Ken Foree as Whisper
Mike Genovese as Lt. Warren Garfield
Angela Bassett as Linda Lake

My Thoughts:
Pretty good episode... but not one of my favorites. That could be because of all the music in the episode.

My Rating:

(From The Flash Marathon on April 13th, 2010)