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Member's Reviews

24 7: Twenty Four Seven, a review by Jon


24 7: Twenty Four Seven *****

Year: 1997
Director: Shane Meadows
Rating: 15
Length: 93 Min.
Video: Anamorphic Widescreen 1.85:1
Audio: English: Dolby Digital: 2-Channel Stereo, Commentary: Dolby Digital: 2-Channel Stereo
Subtitles:

GIVING IT, TAKING IT, LIVING IT, MAKING THE BEST OF WHAT YOU'VE GOT... TWENTY FOUR HOURS A DAY, SEVEN DAYS A WEEK. That's the philosophy Alan Darcy (Bob Hoskins) teaches the bored Nottingham youth he sees wasting their lives on rundown Council estates when he forms a local boxing club. As the club gets noticed with coverage in the papers and an important match against a rival outfit, Darcy gives the troubled teens something worth fighting for and a dream to believe in for the first time ever. Acclaimed as "The Best British Film of the Year", with Shane Meadows hailed as the most exciting young director of his generation, Twenty Four Seven is a life-affirming experience full of genuine humour, courage and hope in the human spirit.

This film is magic. That's the only real sensible explanation! It was made for next to nothing, in black and white, with a cast of largely unknowns (aside from one). It's rough around the edges and feels unassuming, yet it is in turns poetic, hilarious and moving. It has a sting in the tail but is an uplifting and emotional story. It's an astonishing piece of work that, to be honest, makes the star rating look silly.

It's the story of Darcy (Bob Hoskins), a lonely but enthusiastic man who starts a boxing club for the local teenagers to try and build up their self respect. He drags them up from nothing and gives them a reason to exist. Several of the young boxers have their demons and the various threads of their stories come together in that little club with Darcy's own little tale running through the middle. It's a great screenplay with loads of mileage, told in a flashback device that gives it a lyrical, melancholic air, yet feels so relaxed the humour and honesty just roll out. Bob Hoskins is marvelous and all credit to him for doing it in the first place. He is absolutely convincing as Darcy and he'll make you hope there are real people like him. I loved the scene where he drags one drug-addled loser (called Fagash!) to his court appearance, despite his protest he's rather go back to bed!

As for the rest of the cast, it's tough to single anyone out. They all seem real, like they walked straight off an estate and onto the set, with a comaraderie you just can't fake. They're actors, so I know how silly that statement is, so watch it if you don't believe me! English viewers will enjoy spotting a couple of well-known soap stars and even James Corden, now very well known as an exceptionally talented writer, comedian and actor makes his debut here. Gavin and Stacey is his big hit and I know a few of you enjoy British sitcoms, so I recommend you look it up. Actually, now I think about it, I wouldn't be surprised if Meadow's writing was a direct influence on Corden as I can think of some similarities, especially in the big family scenes.

If the film is magic then Shane Meadows is a magician. He's a Nottingham film-maker and 24-7 was his first feature film. His most recent is This Is England, which was followed by a brilliant TV series. He could surely have had his pick of projects, yet he has stayed committed to small budgets and fledgling casts from drama groups. Long may he continue because his is some of the most important work being done for British film. His secret might be in the way he composes any one scene, letting the actors play it out and choosing his focus carefully. A sequence in Wales is stunning. And this remember, is on cheap film with little definition, so no Blu-Ray vistas to enjoy! He just knows how to make something truly beautiful. That doesn't prepare you for how dynamic his brief action moments are, such as the scenes in the ring or an awful explosion of violence that will shake you to the core.

I hope to eventually include his other films here, but don't wait for my say so. Just start for yourself with 24-7 and don't be put off by it's cheap look. It's wonderful. This trailer is not a good representation of the actual quality, the film does have more clarity! But maybe you'll get a taste of what I'm trying to show you.



(From "Fancy the pictures, me Duck?": The British Film Marathon on February 15th, 2011)

Member's Reviews

Transporter 3, a review by Rich


Transporter 3



The ultimate bag-man is back in Transporter 3! Jason Statham resumes his role as Frank Martin and he's still delivering for criminal masterminds. However, this time he's electronically tagged and his life depends on getting the package there on time!

This is a very disappointing film, it has fallen into the trap of churning out rubbish purely for commercial income and hoping the adrenaline will mask it's deficiencies. There are loads of amazing stunts and a multitude of action fighting scenes, but there is no depth, no storyline, suspense, plot, intrigue or acting. Co-star Natalya Rudakova is perhaps the most annoying person in the world, I had hoped she would be killed a lot sooner.
Totally unrealistic and implausible, give this a wide curve.


(From Riches Random Reviews on March 10th, 2009)

Member's TV Reviews

Firefly Marathon, a review by Tom


04. Shinding
Writer: Jane Espenson (Writer)
Director: Vern Gillum
Cast: Nathan Fillion (Mal), Gina Torres (Zoe), Alan Tudyk (Wash), Morena Baccarin (Inara), Adam Baldwin (Jayne), Jewel Staite (Kaylee), Sean Maher (Simon), Summer Glau (River), Ron Glass (Shepherd Book), Mark A. Sheppard (Badger), Edward Atterton (Atherton Wing), Larry Drake (Sir Warwick Harrow), Carl Bresk (Wright), Larry Pennell (Murphy), Michael McMillian (Younger Hopeful), Joshua Grenrock (Porter), Kim Onasch (Banning), Janora McDuffie (Cabott), Casey Piotrowski (Older Farmer), Hunter Cochran (Younger Farmer), Roy Werner (Gentleman)

I like how Kaylee gets enjoyment out of the ball even though she is put down by the snobby rich girls.
It is nice to see the relationship between Mal and Inara develop, but the episode takes the "period" setting a little to far.
The other crew came too short, but at least River stole again one scene.

Rating:

(From Firefly Marathon on February 25th, 2010)