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The Texas Chainsaw Massacre, a review by Jon

The Texas Chainsaw Massacre
5 out of 5



Five kids in a van pass by an old deserted house that used to belong to one of their families. The neighbours house isn't quite so deserted. And so the scene is set for one of the most influential horror films, loosely based on the exploits of Ed Gein, also the inspiration to Psycho amongst others.

The most shocking thing about The Texas Chainsaw Massacre is I liked it! I've seen it before and didn't understand the fuss. It was on TV though so maybe it was still cut. Certainly some of it's more surreal moments originally threw me, but this time I understood it's deserved reputation.

It's really very cleverly put together and although it's served as inspiration for so many films that came after, those pretenders really miss the point and have none of the attention to detail in both setting and narrative, while dragging themselves down with unnecessary exposition. The recent remake is a case in point. As a slasher, it's adequate, but this original was never supposed to be a mere slasher.

The five teens have very little backstory. From beginning to end we learn very little about them. No angst, in other words. A sulky cripple feeling left out is the most we get. This actually makes them more human and the eventual attacks more savage. Normal people on a road trip don't pick that moment to play out all lives tragedies, so these regular kids seem more real. Other characters in the early part of the film are also given only the barest material to get through the scene, meaning there might be genuine surprises toward the end. And even if you do see them coming, the film never tried to trip you up in the first place so it feels right. There's also a surprising amount of humour. Again there's no over-playing the irony, but it's there and should make you laugh albeit guiltily!

That commitment to it's own story is old fashioned film making. As are hints at what's to come. Instead of the modern style of talking about feelings and morals, these teens discuss how the old slaughterhouse despatched the cattle, worry about trivial meanings in horoscopes or find evidence of ritualistic killing, all of which subtly screams "run!", but they pay it no heed. Instead of opening their hearts, we learn how their hearts will be opened! It's a fascinating example of just how good cinema was in the 70s; old fashioned methods with new independence. Why modern versions can't see that balance, I'll never understand.

Everything is in the preparation in this film. The house they wander up to to ask for help (not the wisest move) is astonishing in the detail. Bones and feathers, grime and decay, all litter the place. It looks like they've wandered into a pit of death, and the host ain't too friendly either. Leatherface's entrance is simple but devastatingly effective. His massive frame suddenly fills the a doorway and he immediately clobbers his first victim with a sledgehammer then slams the door shut! No music here and throughout the film also just let the images linger. That's right for this film, but I'm not saying music isn't right in general; Hitchcock's take on the Gein story in Psycho racks up the tension using the exact opposite method.

More killings follow and none are gratuitous. Leatherface kills like a slaughter man kills cattle (as we learned earlier) and we don't really see much. With that setting, the marvellous sound design and simple reactions from the victims, our imagination fills in the blanks. I don't about you, but I need to have words with my imagination; it's far too descriptive...

The last act of the film, which I previously hated, is actually a further descent into depravity in perfect keeping with the rest of the film. Grandad's the best killer of all apparently, but his decrepit efforts are hilarious and disturbing at the same time. The shot of the victims desperate eyeball is fantastic as she makes a last desperate bid for sanity.

Those perverse final images of Leatherface whirling his chainsaw around confirm what the earlier scenes suggested. That he is scarier and more tangible than almost any other screen horror villain I can think of. I reckon if you check his fridges you'll find both Jason and Freddy! But not Michael. He is another matter entirely.  

(From October Marathon: Horror! on October 15th, 2008)

Chai Lai, a review by Tom

Chai Lai (2008/Thailand) IMDb | Wikipedia Magnet, Magnolia Home Entertainment (United States) Director: Poj Arnon, Imagimax Animation and Design Studio Writing: Poj Arnon (Story By), Poj Arnon (Screenwriter), Imagimax Animation and Design Studio) Length: 102 min. Video: Anamorphic Widescreen 1.78 Audio: English: Dolby Digital 5.1, Thai: Dolby Digital 5.1 Subtitles: English, Spanish

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Stars:
Jintara Poullap as Cha-ba
Supaksorn Chaimongkol as Water-Lily
Katesarin Akethavatkul as Poy-Sian
Bunyawan Pongsuwan as Face Cow
Nawarat Taecharatanaprasert as Mikl

Plot:Extras:

• Featurettes
• Music Videos
• Scene Access
• Trailers

I expected a silly little movie in the style of Charlie's Angels. And essentially it is what I got. But still I couldn't get into it. I didn't connect with any of the characters. And even though there are a lot of fights, they didn't keep me interested.

Rating:

(From Tom's Random Reviews on September 19th, 2010)

Tom's Buffy and Angel Marathon, a review by Tom

03. Witch (1997-03-17)
Writer: Joss Whedon (Created By), Dana Reston (Writer)
Director: Stephen Cragg
Cast: Sarah Michelle Gellar (Buffy Summers), Nicholas Brendon (Xander Harris), Alyson Hannigan (Willow Rosenberg), Charisma Carpenter (Cordelia Chase), Anthony Stewart Head (Giles), Kristine Sutherland (Joyce Summers), Elizabeth Anne Allen (Amy), Robin Riker (Catherine), Jim Doughan (Mr. Pole), Nicole Prescott (Lishanne), Amanda Wilmshurst (Senior Cheerleader), William Monaghan (Dr. Gregory)

This belongs to my least favorite episodes of the first season. Though I liked the resolution to the story.
Also I would have liked to see Amy more often. Sadly she came not back often and when she did, she was there to be a bad influence on Willow in later seasons.


04. Teacher's Pet (1997-03-24)
Writer: Joss Whedon (Created By), David Greenwalt (Writer)
Director: Bruce Seth Green
Cast: Sarah Michelle Gellar (Buffy Summers), Nicholas Brendon (Xander Harris), Alyson Hannigan (Willow Rosenberg), Charisma Carpenter (Cordelia Chase), Anthony Stewart Head (Giles), David Boreanaz (Angel), Ken Lerner (Principal Flutie), Musetta Vander (Miss Natalie French), Jackson Price (Blaine), Jean Speegle Howard (Real Miss French), William Monaghan (Dr. Gregory), Jack Knight (Homeless Guy), Michael Ross Verona (Teacher), Karim Oliver (Bud #1)

Probably my least favorite episode of all. Stupid story with no real coherence. No funny jokes which could save the episode.

How did Buffy come to the conclusion that Ms. French is an insect? "Oh, I saw her turning her head 180 degrees. She must be an insect!", "I looked a little into insect books. Of what I have read, she must be a Praying Mantis! Those clothes she's wearing is the final proof for this!"
How convenient that there is a strange vampire around who can sense Ms. French from outside her house. But why did he run up to her the first time around and only when she looked at him, he went running?

The final shot they're hinting that a She-Mantis could be back for another time. Boy am I glad that they never followed up on this!

(From Tom's Buffy and Angel Marathon on November 23rd, 2008)