DVD Collectors Online

A Hard Day's Night, a review by GSyren

Title	A Hard Day's Night (065935-140146)
Director	Richard Lester
Actors	John Lennon, Paul McCartney, George Harrison, Ringo Starr, Wilfrid Brambell
Produced	1964 in United Kingdom
Runtime	88 minutes
Audio	English Dolby Digital 5.1, French Dolby Digital 5.1
Subtitles	English
Overview
My thoughts	It was the summer of 1964. I was 17. My first trip abroad. Four weeks in London. I watched the girls queuing in front of the London Pavilion to see The Beatles in A Hard Day's Night
My rating	4.5 out of 5

(From Reviews and ramblings by Gunnar on November 17th, 2013)

Ocean's 11 (1960), a review by RossRoy

Original Title: Ocean's 11 Year: 1960 Country: United States Director: Lewis Milestone Rating: NR Length: 127 Min. Video: Anamorphic Widescreen 2.35:1 Audio: English: Dolby Digital Mono, French: Dolby Digital Mono, Commentary: Dolby Digital Stereo Subtitles: English, French, Spanish

What they sayMy Thoughts
I don't know what to think. I've seen the remake a while ago, and I remember enjoying it a lot, thinking it was entertaining and fun. So I thought the original would be pretty much the same. And in a sense, it is. You've got a bunch of stars having fun making a light hearted movie. Thing is, to me, the stars of the remake are much more Stars, than the Rat Pack. Oh sure, I know the members of the rat pack, but mostly for their music. Not much for their film work. And I think this might've dragged down my enjoyment of it a little. Ok, a lot.

The film, by itself, without the star power, is not really all that interesting to me. I mean, the movie starts with the heist already all planned out, so they're right smack in the middle of preparations, with gathering the gang together. The preparation of the heist itself is not that entertaining, nor suspenseful. The heist itself is pretty bland. I guess the high point is the ending, with that twist at the end. It's like the whole movie never found a rhythm, which is surprising, seeing as it is so star studded with famous singers of the swing era.

Rating:

(From RossRoy's Random Viewings on November 1st, 2008)

Terminator: The Sarah Connor Chronicles: The Complete Second Season marathon, a review by goodguy

2x08 Mr. Ferguson Is Ill Today
Synopsis: John and Riley's getaway to Mexico has unforeseen consequences that bring the entire group south of the border and Sarah face-to-face with Ellison.
My Rating:

Matthias has pointed out before it's his favorite and I can at least confirm from my side that it's the best episode yet.

I was only referring to the title, not the episode itself, although, as evident from my rating, I do consider it another excellent episode. As for the title: I didn't catch on to it right from the start. I found it oddly fitting to describe Cromartie's demise and I remember having that sentence stuck in my head for a while like a piece of music. But it wasn't until I rewatched S1 that I noticed it is the very first line of Cromartie in the pilot, when he appeared as a substitute teacher (and was played by another actor). Which fits nicely with the way the characters in this episode try to replace something they have lost.

Well, if he wasn't doing things like running away without telling anyone, there wouldn't be any exciting plots

More importantly, he would just be dead. Both Sarah and Cameron don't want John to be with Riley. Both think he is in his room, sleeping in. Both are the ones that allowed Cromartie to pick up the trail. But as Cromartie arrives at the house, John is gone. With Riley.

I always enjoy the "bits and pieces" approach to tell a story, presenting us with segments, each following another person, that slightly overlap. This way important information can occasionally be left out only to be revealed later on. Kudos to the writer team to pulling it off very effectively

I admit that on first viewing I dismissed it as too gimmicky, but it really isn't. Only in the case of Ellison's sudden appearance it is played for surprise, and even then not exclusively. More important seems to be the overlap and repetition of certain key bits and how it enhances the almost lyrical feeling the dialogue often has. And, of course, the different story segments emphasize how fractured team Connor has become.

As it all comes together in Cromartie's story, Ellison does lead him to the Connors, but on his own terms, because "all things are possible to him who believes." The shootout in a Mexican church uses bold Christ imagery, and a rather short version of another traditional song (La Llorona - The Weeping Woman) again takes out the sound of the action scene until Cameron finally brings Cromartie down. Cameron looks equally sad and curious while doing it - she certainly seems to think more about the terminators she kills than about the humans, echoing similar shots of her in 2x05 and 2x06.

Only now, two or three episodes after the incident I realize that Ellison's role in all this must be bigger than we can imagine so far. Triggered by his question to Sarah about his role...

One of the bits that gets repeated during the segments are Ellison's words to Sarah when he opens the trunk: "Sarah Connor? James Ellison. I *need* you to come with me." But when they talk during Cromartie's burial, Sarah refuses to give him the guidance he so desperately seeks. As he walks away, he will undoubtedly return to Weaver. And with the ominous music cue accompanying it and the way the takedown of Cromartie was shown, one can be pretty sure what will happen. However, Cromartie's chip definitely is destroyed.



(From Terminator: The Sarah Connor Chronicles: The Complete Second Season marathon on February 8th, 2010)