Mr.Brooks
Blind buys can often be disapointing so it's actually very exciting when you end up with great movies. Mr. Brooks is a very good suspense/thriller, I enjoyed every minute of it. It's insanely brilliant.
The way the movie plays with the interaction between Brooks and Marshall, his alter ego, is just wonderfully done and when they introduce the idea that Brook's daughter suffers from the same addiction I was shocked as I never saw it coming.
I couldn't see either why he would send the cop where she'd find the guy who was trying to kill her until the very end when he phoned her. The write had it covered on all angles and he could have finished that movie in many different ways which would have probably been better than what he did. Up until the very end it was really excellent but the finishing it with Brooks dreaming that his daughter kills him and then waking up is in my opinion a little easy. It's been seen hundreds of times already.
After all an excellent movie which I'm very happy I bought.
Score:
Ocean's 11
Summary: I guess this is not necessary, most people probably know what this movie is.
My Thoughts: Rather entertaining. Since I am not particularly a huge fan of Clooney it's kind of good that I liked that. These movies are usually all about the heist itself, how brilliant the plan is and how well it's executed etc. In this case I find it well done except for 1 or 2 things that I believe were mistakes. I found particularly stupid the scene where the guys leave their groom's clothes in an elevator. This is totally not plausible as no real thief would be dumb enough to take the risk that they could be found by anyone and raise suspicion while the heist is taking place.
Score:
Ocean's 12
Summary: Same as above.
My Thoughts: Following Jon's comment I was expecting I wouldn't like it much and get really bored after one hour of watching. I actually found the first part to be funnier than the first movie. Ocean's 11 was more subtle and more entertaining but I find 12 to be more humorous. I was actually liking it very much until the part when they start the "Julia Robert" act. Especially in the hotel when Bruce Willis becomes part of it. The scene in the hotel room when they laugh like morons trying to put up a credible act was totally stupid and has been seen numerous times since moving pictures were invented. From that point on it was "Veaudeville" to me all up to the end.
My Score: because the first 75-80 minutes were actually amusing and more enjoyable than 11 otherwise I would have given it a because of what I wrote in the spoiler.
Wow, tough rating, especially on the first one...
I found particularly stupid the scene where the guys leave their groom's clothes in an elevator. This is totally not plausible as no real thief would be dumb enough to take the risk that they could be found by anyone and raise suspicion while the heist is taking place.
Wasn't that done by those two moron-brothers? I think it would simply match their characters to do stupid things like that. It is, however, amazing that the clothes weren't found and didn't raise suspicion; but I guess that where suspension of belief is supposed to take over and you are supposed to forget about it quicker ;)
Following Jon's comment I was expecting I wouldn't like it much and get really bored after one hour of watching. I actually found the first part to be funnier than the first movie. Ocean's 11 was more subtle and more entertaining but I find 12 to be more humorous.
I would say that O12 is better than O11. O11 is too much about the clever details of the heist, which gets a bit boring, even the first time around. O12 has not only one, but several heists, and it refreshingly doesn't give a damn about their plausibility. O13 is still mildly entertaining, but nowhere near as good as the other two.
I was actually liking it very much until the part when they start the "Julia Robert" act. Especially in the hotel when Bruce Willis becomes part of it. The scene in the hotel room when they laugh like morons trying to put up a credible act was totally stupid and has been seen numerous times since moving pictures were invented. From that point on it was "Veaudeville" to me all up to the end.
I did like the idea of that scene: a character playing the actor to meet another actor playing himself. But I found the actual execution painful to watch as well.
Driving Miss Daisy
Summary: Hoke Colburn sits in the front seat with his hands on the steering wheel, but the driver's seat is behind him. That's where Miss Daisy sits. She doesn't want a chauffeur and she won't give in. Neither will Hoke.
Alfred Uhry's moving Pulitzer Prize-winning play became 1989's Academy Award®-winning Best Picture. 'Driving Miss Daisy' tells of genteel but strong-willed Atlanta matron Daisy (Best Actress Oscar® winner Jessica Tandy) and her patient but equally determined chauffeur Hoke (Morgan Freeman). For two so different, they have a lot in common. And the bumpy road they travel leads to the friendship of a lifetime. From the film's nine Oscar® nominations, it drove off with two more awards: Best Adaption Screenplay (Uhry) and Makeup.
My Thoughts: Very nice movie, no wonder it won the best picture Oscar in a time where they were still giving it to the best one and not to the most different or innovative....good or bad. Jessica Tandy and Morgan Freeman both gave very good performances but that alone doesn't make the movie what it is. There is more to it than just acting, the tone, the colors were there to make you feel the story. The only down side is Dan Aykroyd as Tandy's son, I always found him to be an average actor and his performace in that movie didn't change my mind, in my opinion the man simply can't play any dramtic role, I don't find him credible, to me all his dramatic characters seem like caricatures. Fortunately he doesn't have have a big part in the movie so it wasn't much of an annoyance.
The final scene where Morgan's character feeds the old lady
is one of the most touching I have seen in a while. To see that old and stubborn woman accepting to be fed, accepting for the first time in her life to depend on someone was a great reminder of what's ahead for all of us.
My Score: or 9/10
I kind of agree with Jon that this movie is flawed but I'm not sure I do so for the same reasons (meaning I'm not sure I fully understand his).
I think we've come to the same conclusion! As I said before, I like the idea of following a small character in a big story. It takes the pressure off the other elements and helps you see the big picture. However as you say, the story seems to be just about the Doctor. If you think about narrative in the classic sense of "cause and effect", McAvoy's character was given a bit too much cause and credited with far too much effect!
I do also think he was a rather spoiled character, thinking too much about himself...
Think of the love affair that's so dangerous but he treats as a casual fling. And at the end when he barely escapes, I couldn't help thinking, "well thank goodness the weedy foreign Doctor got out! Shame about the civilians, but not to worry! The white fella made it and can go back to the parents he feels so trapped by."
This is what I meant by a sub-text: I think McAvoy's character and his actions are supposed to represent the Western view of the situation. He is enamoured by him, treats the people and the land as a novel fantasy for him to run roughshod over, but cowardly runs away when it gets tough and doesn't answer for his own influence on the situation.
Maybe our society does have to answer for some of the troubles less advanced countries find themselves in. All very clever, but it makes it a film about an arsehole. Perhaps it's supposed to be watched by people familiar with the situation enough to appreciate the outsiders angle.
The Reader
Overview:Academy Award® winner Kate Winslet (Revolutionary Road) delivers a dynamic performance in this "tale of eroticism, secrecy and guilt" (Claudia Puig, USA Today) set in turbulent post-Nazi Germany. Bringing to life the celebrated international novel, Winslet is riveting as Hanna Schmitz - a lonely, working-class woman who experiences a brief but intense affair with a teenage boy. Years later they meet again: Hanna now a defendant in a notorious case and her ex-lover, now a law student, holding the secret to her salvation. Directed by three-time Academy Award® nominee Stephen Daldry (Billy Elliot, The Hours) and featuring Ralph Fiennes (The Duchess) as the grown man still reeling from Hanna's influence, The Reader is a "moving, romantic and poignant story" (Roger Friedman, Fox News) about the difficult distance between truth and reconciliation.
My Thoughts: I didn't read the overview on this so I really had no idea what it was about. I bought it as part of my signup with Columbia House and I only picked it because of Kate Winslet. I had only seen "Titanic" and "The Life of David Gale" from her before and my feelings about here were 50/50. I don't think much good of Titanic which is nothing more than an expensive chick flicks but she was good in "The Life of David Gale" so I wanted to see more of her.
For the first 45 minutes or so I thought it was another chick flicks about a 15 year old boy who falls for a 40+ year old woman who makes him discover love and blah blah blah...........as we've already seen way too many times in movies. But then.................surprise...........................out of nowhere we see this woman in a trial for having been a SS and things related to auschwitz (note that I didn't mistype anything here, I don't use capital first letters for name of places built to kill people). This was not only a nice and unexpected surprise (granted that all surprises are unexpected by their very nature :whistle:) but it also takes the movie in a completely new direction in a snap. Since I've always been extremely interested with everything related to the holocaust I drank every every scene from that point on all the way to the end.
I keep asking myself................would anyone really choose to be sentenced for life and declared a war criminal to avoid the shame of publicly admitting they can't read ?
My Score:
5150, Rue des Ormes
I finished watching it last night, Wednesday I had to stop because my living room was just getting too hot with the plasma TV running, I was dying in there.
"5150 Rue des Ormes" is definitely not the greatest movie of all times. The acting is good but not great, the set is nice but nothing extraordinary and the very little special effects they use is a tad "cheap" which I guess comes with making movies without having Hollywood's insane budgets. That however doesn't make it a bad movie and I think that those who like the genre will enjoy it if they don't know the story because what's interesting in this movie isn't the movie itself but how the story unfolds and, as Seb already said, the suspense of waiting to see what's gonna happen and how it's gonna end.
Unfortunately much of it is taken away if you already know the story from the book and since the movie itself isn't that great the only interest becomes the comparison between them and on that there's a lot to say. I wouldn't say it's completely different than the book as some of it is pretty much the same but some liberties were taken in adapting certain scenes while others have been completely changed. They also added a thread which is followed throughout the movie that didn't exist at all in the book.
I also felt that the wife character wasn't as submissive as I had pictured her in the book but that's obviously only my interpretation.
** Warning: The spoilers contains stuff about the book so if you plan on reading it then stop reading here.
There's a few major differences between the film and the book.
All the stuff about the camera and the tape. There's nothing about a camera in the book, the hostage asks for paper and pens and he writes his thoughts.
Toward the end of the book, Michelle does become a killer but her victim is the school's director after he told her that she was being transferred to a school for teens with behavioral problems.
The way Yanick (the hostage) escapes from the house is also completely different. In the book the family goes out to dinner, when they're getting in the car the wife says she forgot something, goes back inside and unlocks the door where he's held but she doesn't open it, he just hears the noise from the key and knows she's letting him out. Then he discovers the basement, leaves the house and walks in town. He ask people where is the police station and goes there but before entering he changes his mind and leaves. When he walks by the chess club he walks in and says he's gonna wait to play against they're champion. He won't show up because he only plays on Mondays and after Berube refuses to leave he gets kicked out. He then goes back to the house to play the final chess game with Beaulieu.
There's many other differences but I don't think they're worth mentioning.
Althoug there's a differences between the book and the movie they are definitely spoilers for each other and it really wouldn't be a good idea for anyone to watch the movie before reading the book.
There's a few episodes in the series that rely on flashbacks more than others and there was almost a month between my watching of discs 3 and 4, my memory wasn't all fresh about it.
There's one episode in particular that got me confused more than others, it's the one where a bunch of people were killed in the explosion of a warehouse". It sort of throws stuff at you that you have no idea where it comes from and later the flashbacks make things clear. At the beginning of that episode I though I had missed something so I activated "recaps" and restarted the episode but then the recap showed a discussion between Riley and Jesse that I had not seen before either, that's why I thought maybe they were "forced" to skip some episodes.
Buillit
(http://www.pitstop.net.au/upload/products/11833.jpg)
I have no idea what possessed me today but I actually felt like watching a movie from the late 60's or early 70's. I don't know what it was competing with but it's no surprise to me that Bullit won the Oscar for best film editing. As some of you know, I really dislike the dialogs in movies from that period and I was expecting Bullit to be the same but surprisingly it's the opposite.
The movie has many long scenes with nothing but the "normal" sounds, no dialog, no dramatic music, no scary sounds, just the sounds that you hear in real life. This is particularly successful in the long car chase scene where you only hear the sounds of the cars.
There is also no unnecessary talking, people say what they have to say, no more, no less and when there's nothing that needs to be said they're just quiet and the viewer is allowed to enjoy it as if he/she was really present. I actually felt more "involved" in that movie that with any of today's surround tricks that are supposed to make you feel like you're in the movie.
I really enjoyed Bullit and I give it a
So tell me Jon..........I finally liked a 60-70'ish movie.......do you think there's still hope for me ?