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Rear Window, a review by Jon

Rear Window (1954)
5 out of 5



James Stewart plays L.B. Jeffries, and injured photographer, wheelchair-bound and bored. He fills his time watching his neighbours and becomes convinced that one (Raymond Burr) may have murdered his wife.

My favourite films are the ones with the simplest of plots because there’s plenty of room for great writers to fill the time with detail that may not be necessary, but colours the story nonetheless. This is one of Hitchcock’s skills as a director anyway, so John Michael Haye’s wonderful adaptation of a short story is the perfect screenplay because it gives both of them plenty of room to play. The result is a cheeky, poignant, playful and eventually thrilling film that is a definitive example of the Hitchcock style.

It opens theatrically, with the blinds rolling up and the story unfolds slowly, as we observe Stewart observing his neighbours, making voyeurs of the audience, now complicit in the rude hobby of nosey-parkers! Don’t expect an immediate thrill-ride as the real focus of the film is way off, but watching the lives behind those windows is fascinating and the apartments are all exquisitely detailed. There is no score, as the noise from the street (that we can just see, and is almost another window in itself), the records played by the sexy blonde dancer or the lonely piano player provide a diegetic theme, intriguingly linking the neighbours without them ever really meeting.

There’s plenty to keep the attention during the languid pace before we need to consider the strange behaviour of Lars Thorwald. Has he committed murder or is it all in Jeffries’ mind? We have to rely on Jeff’s point of view and sometimes he frustrates us by falling asleep, but the circumstantial evidence piles up.

He steadily convinces the two women his life that all is not well. Thelma Ritter (All About Eve) as his nurse turns in another dryly witty performance and every one of her lines is a cracker; she describes Grace Kelly as “the right girl for any man with half a brain who can get one eye open”! Why he should need convincing, I have no idea. Her entrance is possibly the most entrancing of any actress, beautifully photographed as she wakes Jeff from a nap, the camera confident in its intimacy. The part was written for Kelly so of course, she is beyond perfect. She is still the delicate and strong character from Dial M for Murder, but now smoother and livelier. If you don’t feel anything as she first fills the screen, check your pulse...

As usual, their relationship is the real story and it feels like the most genuine Hitchcock did. I heard a comment regards Notorious that he wouldn’t make a film again with such heart, but that’s rubbish if the performance between Stewart and Kelly is taken into account. It’s an adult situation, focused by the efforts to catch out Thorwald. Just watch Stewarts expression when Kelly returns from a daring reconnaissance mission! Wordlessly, he completes a subplot and allows the film to move into fifth gear.

There isn’t a lot of suspense until the final act, but it more than makes up for it as the helpless Jeff can only watch events take an awful and serious turn as maybe he has gone too far in his amateur sleuthing. Stewart might be stuck in one place for the entire film, but he really makes you feel it. But then he has always been the ultimate everyman and this is a classic performance. Hitchcock too seems to be willing to be more ruthless and messy in depicting violence. There are a couple of brief but very uncomfortable moments.

A hard sell on paper as there isn’t really a plot, Rear Window is one of the absolute essential Hitchcock films and epitomises his fascination with murder right on your doorstep. It feels like a shift into another level of confidence that will see him create his most famous films over the next few years.


(From Alfred Hitchcock Marathon on August 7th, 2009)

Baby Blues, a review by addicted2dvd

Baby Blues (2008/United States) Phase 4 Films Director: Lars Jacobson, Amardeep Kaleka Writing: Lars Jacobson (Writer) Length: 77 min. Rating: Rated R : Disturbing Violence and Terror, and Brief Drug Use Video: Anamorphic Widescreen 1.78:1 Audio: English: Dolby Digital: 5.1, English: Dolby Digital: 2-Channel Stereo Subtitles: None

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Stars:
Colleen Porch as Mom
Aiden Kersh as Baby Nathan
Ridge Canipe as Jimmy
Sean Johnson as Jake (Friend)
Holden Maynard as Sammy
Kali Majors as Cathy

Plot:
Inspired by true events, Baby Blues tells the terrifying tale of a young ten-year-old boy, Jimmy (Ridge Canipe), who is forced to protect his siblings from an inescapable and unspeakable evil that threatens them on their once tranquil, secluded family farm. This suspenseful tale will keep you on the edge of your seat, and the unexpected terror is guaranteed to leave a lasting impression on your mind. Events so startling that you will be hoping and praying that an evil like this never enters the sanity of your home.

Extras:

• NONE

This is a movie I have on a Triple Feature DVD release called Gritty Horror Tales. Basically the story of a mother going psycho on her children during a bad case of postpartum depression. For the most part I liked the movie a lot... but there is one downfall for me here. And unfortunately it is a pretty big downfall. I just didn't care about any of the characters. This did take away from the film some. Other then that... the intensity of the story was good. It kept my interest through-out once it got started. Though the first about 20 minutes is a bit slow. Over-all the movie is worth watching.




(From What Movies I Been Watching on June 17th, 2012)

Tom's TV Pilots marathon, a review by Tom

The Greatest American Hero
Greatest American Heroine
Writer: Babs Greyhosky (Writer)
Director: Tony Mordente
Cast: William Katt (Ralph Hinkley), Robert Culp (Bill Maxwell), Connie Sellecca (Pamela Davidson), Mary Ellen Stuart (Holly Hathaway), Mya Akerling (Sara Hathaway), John Zee (Alien), Jerry Potter), Wayne Grace), Jeffrey Markel (Timothy)

Originally this was supposed to be a pilot for a new series, but it was not picked up. Instead in now serves as the last episode of the series. Which works quite well. It shows how and why Ralph has to give away the suit.

Rating:

(From Tom's TV Pilots marathon on June 27th, 2011)