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May 18, 2024, 06:01:02 PM | 24 7: Twenty Four Seven *****
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GIVING IT, TAKING IT, LIVING IT, MAKING THE BEST OF WHAT YOU'VE GOT... TWENTY FOUR HOURS A DAY, SEVEN DAYS A WEEK. That's the philosophy Alan Darcy (Bob Hoskins) teaches the bored Nottingham youth he sees wasting their lives on rundown Council estates when he forms a local boxing club. As the club gets noticed with coverage in the papers and an important match against a rival outfit, Darcy gives the troubled teens something worth fighting for and a dream to believe in for the first time ever. Acclaimed as "The Best British Film of the Year", with Shane Meadows hailed as the most exciting young director of his generation, Twenty Four Seven is a life-affirming experience full of genuine humour, courage and hope in the human spirit.
This film is magic. That's the only real sensible explanation! It was made for next to nothing, in black and white, with a cast of largely unknowns (aside from one). It's rough around the edges and feels unassuming, yet it is in turns poetic, hilarious and moving. It has a sting in the tail but is an uplifting and emotional story. It's an astonishing piece of work that, to be honest, makes the star rating look silly.
It's the story of Darcy (Bob Hoskins), a lonely but enthusiastic man who starts a boxing club for the local teenagers to try and build up their self respect. He drags them up from nothing and gives them a reason to exist. Several of the young boxers have their demons and the various threads of their stories come together in that little club with Darcy's own little tale running through the middle. It's a great screenplay with loads of mileage, told in a flashback device that gives it a lyrical, melancholic air, yet feels so relaxed the humour and honesty just roll out. Bob Hoskins is marvelous and all credit to him for doing it in the first place. He is absolutely convincing as Darcy and he'll make you hope there are real people like him. I loved the scene where he drags one drug-addled loser (called Fagash!) to his court appearance, despite his protest he's rather go back to bed!
As for the rest of the cast, it's tough to single anyone out. They all seem real, like they walked straight off an estate and onto the set, with a comaraderie you just can't fake. They're actors, so I know how silly that statement is, so watch it if you don't believe me! English viewers will enjoy spotting a couple of well-known soap stars and even James Corden, now very well known as an exceptionally talented writer, comedian and actor makes his debut here. Gavin and Stacey is his big hit and I know a few of you enjoy British sitcoms, so I recommend you look it up. Actually, now I think about it, I wouldn't be surprised if Meadow's writing was a direct influence on Corden as I can think of some similarities, especially in the big family scenes.
If the film is magic then Shane Meadows is a magician. He's a Nottingham film-maker and 24-7 was his first feature film. His most recent is This Is England, which was followed by a brilliant TV series. He could surely have had his pick of projects, yet he has stayed committed to small budgets and fledgling casts from drama groups. Long may he continue because his is some of the most important work being done for British film. His secret might be in the way he composes any one scene, letting the actors play it out and choosing his focus carefully. A sequence in Wales is stunning. And this remember, is on cheap film with little definition, so no Blu-Ray vistas to enjoy! He just knows how to make something truly beautiful. That doesn't prepare you for how dynamic his brief action moments are, such as the scenes in the ring or an awful explosion of violence that will shake you to the core.
I hope to eventually include his other films here, but don't wait for my say so. Just start for yourself with 24-7 and don't be put off by it's cheap look. It's wonderful. This trailer is not a good representation of the actual quality, the film does have more clarity! But maybe you'll get a taste of what I'm trying to show you.
(From "Fancy the pictures, me Duck?": The British Film Marathon on February 15th, 2011)
Member's Reviews
The Public Enemy, a review by Antares
The Public Enemy
Year: 1931
Film Studio: Warner Bros. Pictures
Genre: Action, Drama, Classic
Length: 84 Min.
Director
William A. Wellman (1896)
Writing
Kubec Glasmon (1889)...Writer
John Bright (1908)...Writer
Harvey F. Thew (1883)...Screen Adaptation
Producer
Darryl F. Zanuck (1902)
Cinematographer
Devereaux Jennings (1884)
Music
David Mendoza (1894)...Composer
Stars
James Cagney (1899) as Tom Powers
Jean Harlow (1911) as Gwen Allen
Edward Woods (1903) as Matt Doyle
Joan Blondell (1906) as Mamie
Donald Cook (1901) as Mike Powers
Leslie Fenton (1902) as Nails Nathan
Beryl Mercer (1882) as Ma Powers
Robert Emmett O'Connor (1885) as Paddy Ryan
Review
When it was released in 1931, The Public Enemy was considered a groundbreaking film in the new genre. But time has not been kind to this classic. Hollywood was still getting its feet wet in The Roaring Twenties, Each Dawn I Die and Angels with Dirty Faces. Only with the release of Yankee Doodle DandyJohnny DangerouslyReview Criterion
(From The Public Enemy (1931) on June 6th, 2010)
Member's TV Reviews
Tom's TV Pilots marathon, a review by Tom
 | Columbo: Season One (1971/United States) IMDb | Wikipedia
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Plot:Columbo movies: Prescription: Murder and Ransom for a Dead Man. Columbo's first season features legendary guest stars like Robert Culp, Ray Milland, Eddie Albert, Suzanne Pleshette, Don Ameche, Leslie Nielsen and Roddy McDowall. It's no mystery why Columbo: The Complete First Season is the DVD set crime fans have been waiting for!
Columbo
1.01 Prescription: Murder (1968-02-20)
Writer: Richard Levinson (Screenwriter), William Link (Screenwriter), Richard Levinson (Original Material By), William Link (Original Material By)
Director: Richard Irving
Cast: Peter Falk (Lt. Columbo), Gene Barry (Dr. Ray Flemming), Katherine Justice (Joan Hudson), William Windom (Burt Gordon), Nina Foch (Carol Flemming), Virginia Gregg (Miss Petrie), Andrea King (Cynthia Gordon), Susanne Benton (The Blonde), Ena Hartman (Nurse), Sherry Boucher (Air Hostess), Anthony James (Tommy)
This first episode of Columbo wasn't original thought of as a pilot of a series. It was a standalone TV movie based on a play. But Peter Falk's Columbo was so good, that he got a series based on this movie three years later.
Generally you already see the Columbo we know in the series. The major difference is, that Columbo seemed better groomed here. But his other trademarks are already here. Even his antagonist recognizes his personality traits already. Pretending to be more stupid than he his to trick him up.
Rating:
(From Tom's TV Pilots marathon on April 1st, 2011)