Academy Award® nominee Ralph Fiennes ('The English Patient') and Rachel Weisz ('Constantine') give electrifying performances in this gripping suspense thriller. A diplomat on the hunt for his wife's murderer uncovers a treacherous conspiracy that will destroy millions of innocent people - unless he can reveal its sinister roots. From the best-selling spy novel by John Le Carré comes this edge-of-your-seat story of murder, deception and revenge that critics are calling "...outstanding...dramatic...hair-raising..."
I love it when this happens. I’d already seen The Constant Gardener and knew I liked it, but I had an urge to watch it again and it seemed to take on a whole new level. On this occasion, I found it achingly brilliant.
Conspiracy thrillers such as this more often than not concentrate on the conspiracy, reducing the characters to fit and drive the main plot to a grand finale Where All Shall Be Revealed. There is nothing wrong with this, especially in a Bond movie where it’s merely an excuse to link up various set-pieces, but when the conspiracy is based on a grain of truth, you have to subscribe to and accept the writer’s viewpoint to fully appreciate what’s unfolding. A little bit of doubt goes a long and wrong way. Blood Diamond suffers from this.
The conspiracy at the centre of The Constant Gardener –African’s being used as unwitting test subjects for a drugs company- is developed by Jeffrey Caine from John Le Carre’s novel. It’s a fine adaptation that Le Carre has praised as “bearing little resemblance”, in a good way! It is fairly complicated, well researched, engrossing, but as with any other such plot, demanding. The clever thing in this case, is how it is hidden in a love story. As such, our belief in the politics and intrigue become secondary to our belief in Justin (Ralph Fiennes) and Tessa (Rachel Weisz), despite them being irrevocably linked.
In fact, the love story is shown in fractured memories, as it starts with the awful scene of Justin discovering his wife Tessa has been murdered. She was always the passionate driven one, determined to uncover the truth, while he is the quiet diplomat, avoiding being involved. He has to unpick his past with Tessa, coming to terms with several revelations and his own decisions, to understand how he should deal with the future. In a sense, it is a film of two halves, though beautifully fluid in their coming together. It’s such a clever and playful narrative that teases out the characters in such a way you might not be sure how to feel about them. That might be why a second viewing is in order. You know them better and the story takes on new meaning.
The photography is stunning and proves director Fernando Meirellies to be a unique talent. His previous film was City Of God, but that is no indicator of your reaction to this film. Looking at both films, he clearly has a way of matching the cameras movements to the nature of the plot. So whereas City Of God was intoxicating, sharp and powerful, The Constant Gardener has a smoother nature. His use of focus is frequently breathtaking, right from the abstract opening scene of Tessa’s vehicle coming to rest after an accident. We see only the tyre, only the conclusion of the action. Where City Of God was angry, this is poignant, full of longing.
I was reminded of this film after watching The Fountain and finally realising the brilliance of Rachel Weisz. Maybe I’m a bit slow, but The Mummy movies loudly distracted me from how good an actress she actually is! She is gorgeous and captivating in a difficult, Oscar winning role to balance. Her flirty outgoing nature supports the evidence she was having an affair; her soulful gazes at Justin diffuses it. She has to capture our imagination and indignation at once, and she does it. Ralph Fiennes has an even harder job, with a character that by nature is quiet and unassuming (preferring his plants to anything as vulgar as life!) and developing resilience, so he goes under our and the Academies radar, denied the plaudits he surely deserved (Philip Seymour Hoffman’s Capote, not withstanding). He is heartbreakingly real as he tugs the threads of his life back together and anyone who understands how tough grief is cannot fail to be overwhelmed. So much better than the obvious The English Patient. The two leads work together so well and the flashback to their first meeting an utter joy, followed by a sex scene that actually builds the characters. “Thank you... for this gift”, Justin says. “How very generous of me!”, exclaims Tessa. Dialogue throughout is brilliant, especially from Bill Nighy and Gerard McSorley.
They and the main plot comes to sharper focus in the second half and it is affecting, tense and powerful. The decision to actually film in Africa makes for a vibrant and real film, especially with a passionate cast of extras, though it never falls into the trap of becoming a faux documentary. A trust was set-up to support the areas used for filming as way of thank you and it’s a small price for such authenticity.
Ok, so I’ve gone on. A bit. But it shows how much I must regard this film when I can tell you it isn’t perfect. A couple of the supporting characters are a bit obvious, such as Justin and Tessa’s lawyer (Richard McCabe) and especially his annoying computer whizz son, Guido. Bill Nighy is fantastic, but over the top and a concluding scene might be a bit silly (still works though!). They’re balanced by perfunctory roles from Danny Houston and Herbert Kounde. Perception of them is essential to the plot though, which might explain their simple development. They are thriller characters, after all and concessions to the genre are needed somewhere!
There may be other gripes tucked away here and there, but it takes nothing away from a grown-up, ambitious film that is memorable and sublime, thanks to a passionate director and central performances that cut to the bone. Simply wonderful. Watch it, then watch it again. I certainly will.
This searing, controversial, and thought-provoking drama examines the motives and emotions behind terrorism. Co-writer Ayad Akhtar stars as Hassan, a Pakistani man who's falsely accused of terrorist associations, then imprisoned and tortured before finally leaving jail as a genuinely militant extremist. He goes to stay with his old friend Sayeed in New York (Firdous Bamji in a scene-stealing performance), where he explores the city, flirts with Sayeed's sister (Nandana Sen), and works with a group planning to bomb Grand Central. The impressive cast of unknowns and solid direction from Joseph Castelo make this tense, thoughtful drama an intriguing look at a subculture that, for obvious reasons, is more often demonized than dramatized.
Run of the mill terrorist plot and standard fare these days, the Director IMO unable to allow the characters to become associable, it felt difficult to really to warm to this film. In light of September 11 I am really surprised this film was allowed to be made, at times it seemed the film was trying to justify terrorism as a revenge. 3/10
Xena: Warrior Princess Marathon, a review by addicted2dvd
Season 2: Disc 4
13. The Quest (Part 2) Xena's spirit puts into action a plan that may allow her to return to the land of the living and reclaim her body. And Gabrielle is faced with a big decision after meeting up with her old friends - the Amazons.
My Thoughts: Very cool... a great conclusion to the previous episode. It was pretty cool to see Iolus from Hercules at the beginning of this episode. It was even better seeing all the amazons in leather bikinis! And yes... it is another episode I never seen before.
My Rating:
14. A Necessary Evil In order to stop the evil Velasca from hunting down Gabrielle, Xena must unleash an even more depraved immortal to vanquish her - Callisto.
My Thoughts: Wow... another one I never seen before. I am flipping out on this... I didn't think there was many at all that I didn't see. This episode seems to be a part 3 to the last 2 episodes even though it is not listed as such. It was pretty cool to see Callisto again.
My Rating:
15. A Day in the Life Xena has 24 hours to prevent a warlord from plundering one village, and the world's biggest giant from destroying another. All in a day's work.
My Thoughts: Well... now back to one I have actually seen before. This episode... while pretty silly... was enjoyable. I got a kick out of how Xena and Gabrielle was getting on each others nerves in this one. And I had to laugh when Gabrielle traded Xena's whip for a frying pan.
My Rating:
16. For Him the Bell Tolls While engaged in a battle of wills with her son, Cupid, Aphrodite turns Joxer into a dashing hero tasked with stealing a princess's heart away from her betrothed.
My Thoughts: Being an episode with Joxer in it.... that right there tells you there will be some silliness to the episode. But they did it well. If there is one thing that bothers me about this episode... that would be the fact that Xena is hardly in the episode at all. Just a quick scene in the beginning and a quick scene in the end. But all the same... I still enjoyed it.
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May 20, 2024, 10:47:11 AM
