DVD Collectors Online

The Lavender Hill Mob, a review by Jon

The Lavender Hill Mob
5 out of 5


A meek bank clerk who oversees the shipment of bullion joins with an eccentric neighbour to steal gold bars and smuggle them out of the country as miniature Eiffel Towers.

T.E.B. Clarke won a deserved Academy Award for this marvellous screenplay. Still clearly post-war Britain, there are undertones of social and political satire, but it doesn’t detract from a wonderfully funny heist movie. There was a big increase in crime following the war; indeed this was inspired by classic The Blue Lamp with a similar, albeit serious, tone. The police are presented as largely ineffectual (a late scene shows how forward thinking and scientific they are, but are quickly turned into a chaotic mob to the tune of Old MacDonald!), but not unkindly so, which is the enduring skill of Clarke’s films, that he had resolve enough to tear institutions to shreds, but always with a smile. I suppose it says something that the police appear far more professional than they do now!

Of course we no longer reside in “post-war” anything, but the film hasn’t really dated. It’s still an effective heist film with a breezy, hilarious nature that identifies with anyone heading for a mid-life crisis. The premise is infectious. What if you could come up with the perfect crime, exploiting your own daily routine, so you could retire with a fortune? That’s the meticulous plan Alec Guinness has been cooking up for 19 years as fastidious middle-class Henry Holland (or “Dutch” as he asks to be called later on), responsible for transporting gold bullion. He meets jovial Stanley Holloway who makes holiday ornaments and gives Holland the idea of how to shift the gold (disguise it as Eiffel Tower models and ship them to Paris). They quickly ensnare a couple of proper criminals (Sid James and Alfie Bass) and set the plan in motion.

It’s a well done plot, actually authorised by the Bank of England. Clarke asked them how such robbery could take place and they formed a committee to tell him! It bats along and fits such a lot into its short 78 minutes, it feels more substantial yet nothing feels rushed. It even has a framing device. Alec Guinness is telling the story from Rio, where he has been living the high life (a young Audrey Hepburn is there too, the lucky devil!).

Guinness was without a doubt one of the greatest actors of all time and his characterisation of Holland is perfect from note one, right down to mispronounced “r”’s and a wonderful cheeky glee that reveals itself in the briefest of moments. There are so many layers to what would be a very two-dimensional role these days. He is intelligent and passionate (his reading of a crime thriller to his landlady also reveals Clarke’s obvious love for pulp fiction, as he showed in Hue and Cry), yet is happy to be a quiet, subservient, pedantic laughing stock to his colleagues. All part of the plan, yet the tics are so organic, he really is all of those things. Honestly, you could watch this performance time and again. Stanley Holloway is at his best too and the scene where Holland drips the idea into Pendlebury’s mind is superb.

Dependable Charles Crichton directs and as with Hue and Cry, some of the photography is wonderful and he finds all sorts of opportunities to stage some great sequences. The charge down the Eiffel Tower is as brilliant as it is indulgent, as is the farcical car chase.

Great fun and still effective. One of Ealing’s most enduring comedies.

(From A Feeling for Ealing... on March 10th, 2010)

I Am Sam, a review by Rich

I Am Sam



Sean Penn and Michelle Pfeiffer give career-defining performances in this humorous and heartwarming story about a mentally challenged father who enlists the aid of a high-powered attorney to help him regain the custody of his daughter. An all-star supporting cast and a spectacular soundtrack complete this unforgettable story of life, love and laughter!

Touching movie, totally dominated by the 2 wonderful performances of Penn and Pfeiffer. Add in Dakota Fanning as the daughter, and the mix of cast worked tremendously well together in a project clearly all were enthused about.
A whole range of emotions are pulled from you during this movie, many happy, laugh out loud moments, especially with Sam Dawsons troop of friends in court. Then of course there are the lump in the throat, something in my eye moments which litter the film.
Sure it's a manipulative tear-jerker, exploited to the full by Hollywood, 'well it worked for Hoffman' negative comments that could be thrown at the film.
But personally I enjoyed it, I thought the performances were admirable, and it just stayed below the 'too sickly' borderline.
 


**Laura Dern mini-marathon


(From Riches Random Reviews on August 26th, 2009)

Pete's Pilots, a review by addicted2dvd

Medium


Pilot
Wife, mother, and psychic Allison DuBois (Patricia Arquette) can communicate with the dead and is convinced she can use her gift to help solve crimes. She's put to the test when she gets a call from the Texas Rangers.

My Thoughts:
This is one of my favorite current series. This series is what made me a fan of Patricia Arquette. This DVD set has both the Network Version as well as an extended version of the pilot. Today I watched the Extended version... which has about an extra five minutes.  This is a good introduction to the characters. I like how they did her husband in this show... while he supports her and believes in what she can do... he also is quick to remind her that she can't believe that everything in her dreams are meant to be true.

My Rating:

(From Pete's Pilots on March 25th, 2010)