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May 16, 2024, 02:02:44 AM | The Innocents *****
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Deborah Kerr plays Miss Giddens, guardian of two angelic orphans. When ghostly disturbances make themselves felt she determines to protect her charges. Jack Clayton's superb adaptation of Henry James' The Turn of the Screw keeps us guessing until the end.
Fans of The Haunting will really like this one. And I mean the 1960s version, not the really crap remake! And The Others bears some comparison too, but this is far superior and doesn't rely on a twist. The story has a deeply creepy dark side and can be very disturbing, with echoes of The Shining.
Three comparisons in one paragraph! And normally I don't like the whole "if you like this, then you might like that, because it's like those" sort of review, but I'm trying to put The Innocents in context because no-one seems to have heard of it, which is criminal.
It's much more subversive than a typical horror. It even comes across as a very British period class drama complete with enthusiastic melodramatic dialogue, especially from Deborah Kerr. It would seem at home on cosy Sunday evening TV and you'd assume it was dated even in 1961, following as it did such revolutionary horror films as Psycho, Peeping Tom or Mario Bava's Black Sunday. But the flowery language and stilted politeness are a means to an end and create an almost satirical and cruel story that makes for an astonishingly powerful film. If anything, it is a finer piece of writing and more challenging than its more famous predecessors in horror cinema, but all go to prove that the early 1960s were one of the most fertile and important periods in the genre.
The story is based on The Turn of The Screw by Henry James, adapted by William Archibold and Truman Capote, who gave the story its twisted heart, subverting what you might have otherwise dismissed. And far from being the predictable old fashioned actress I may have insinuated she was earlier, Deborah Kerr, as the Governess Miss Giddens, is vital to selling this audacious plot. It is a captivating performance that traps the audience beautifully. Wherever your sympathies lie at the end will be because of her and in any case, don't expect an easy night's sleep after watching it!
The children, Flora and Miles, are played by Pamela Franklin and Martin Stephens. Essential to the story, the chemistry between them is wonderful, and so too their relationship to Miss Giddens and the housekeeper, memorably played by Meg Jenkins. Child actors are so often the weak spot, but these two will keep you guessing, especially Stephens. If The Omen had been filmed 15 years earlier, this kid would have been a shoe-in playing the little bastard!
For all the metaphors and subtext, The Innocents is first and foremost a visual ghost story. While it doesn't rely on jumps and gimmicks, Jack Clayton's clever direction, drawing together the brilliant performances and sumptuous sets, is complemented by Freddie Francis's gorgeous photography which will have you on the edge of your seat, peering into shadows. And while in the context of the story, the two ghosts may or may not exist, they will still make your blood run cold. A stunning moment on a rain-lashed lake is especially haunting, all the more for being in daylight. Clayton wrings every bit of potential from the frame without ever forcing the viewer's attention.
The result is possibly the finest ghost story ever filmed; a unique, memorable and important contribution from British cinema at its most confident. Big words, eh? Please give it a try.
Make sure you do on Blu-Ray too. The print is pristine and proves the real strength in high definition is not necessarily in CGI, but classic photography, where the depth of a well composed film comes to life. And in a sort of high class "Buy One Get One Free" offer, the BFI release also includes The Bespoke Overcoat (1955), a short film and another ghost story of a different tone to The Innocents. It is an absolute gem and, shush, but you might prefer it; it's that good.
(From "Fancy the pictures, me Duck?": The British Film Marathon on March 15th, 2011)
Member's Reviews
Zatoichi, a review by Tom
Title: Zatoichi
Year: 2003
Director: Takeshi Kitano
Rating: 18
Length: 116 Min.
Video: Widescreen 1.85
Audio: Japanese: DTS-HD Master Audio 5.1, Japanese: Dolby Digital 5.1
Subtitles: English
Stars:
Takeshi Kitano
Tadanobu Asano
Plot:Awards:
Featurettes
Interviews
Scene Access
Trailers
My Thoughts:
I had some fun watching this movie. It is a little slow at times. Takeshi Kitano ("Battle Royale") did a good job as Zatoichi and as the director of this movie. It is very similar to Ichi, the sequel. Though I remember I enjoyed the subplot and the supporting cast in that one more than in this one.Rating:
(From Tom's Alphabet Marathon Reviews on July 3rd, 2010)
Member's TV Reviews
Tom's TV Pilots marathon, a review by Tom
 | Boston Legal: Season One (2004/United States) IMDb | Wikipedia
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Plot:
FROM DAVID E. KELLEY, the creative mastermind behind Ally McBeal, Picket Fences and The PracticeBoston Legal takes a fast-paced and wildly comedic look at the personal and professional lives of the high-priced attorneys at the law firm of Crane Poole & Schmidt. Court is now in session and the jury is in: Season One of Boston Legal is cutting-edge television at its finest!
Boston Legal
Season 1.01 Head Cases
Writer: David E. Kelley (Created By), Scott Kaufer (Writer), Jeff Rake (Writer), David E. Kelley (Writer)
Director: Bill D'Elia
Cast
(From Tom's TV Pilots marathon on December 17th, 2013)