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Member's Reviews

The Soloist, a review by Rich


The Soloist





True story, a very interesting and unique story, but unfortunately delivered to probably only half of its potential. What a shame given the acting talent available, although I am not blaming them. Downey Jr has been a revelation in the last few flicks I've seen him in, but here he is wasted.
This disappointment in the film is heightened after watching the extras, which interviews the real life characters, who are wholly more interesting than their celluloid doubles.
This isn't to say the film is awful, it truly isn't. It was enjoyable, enlightening, moving, uplifting and tragic rolled into one. There are scenes that will stay with me, moments of wonder, musical genius, the harsh difference between have and have nots.
This should have been so much more.
 :D


**Catherine Keener mini-marathon


(From Riches Random Reviews on August 30th, 2009)

Member's Reviews

Two-Lane Blacktop, a review by Jon


TWO-LANE BLACKTOP (1971)
4 out of 5




James Taylor (Driver) and Dennis Wilson (Mechanic) are driving across America in a souped up Chevvy, drag racing for money. Along the way they pick up a hitchhiker, played by Laurie Bird, and get into a race for "pinks" with Warren Oates in his G.T.O.

Time for change of pace. So far this marathon has featured people driving for a reason, but the early 1970s American cinema was defined by several classic movies that were more about the road than the journey. Aimless quests for freedom matched only by aimless filmmaking in some cases, started by Easy Rider in 1969. That's a film I found hard to really like, but I do admire it and it's importance can't be undervalued.

Two-Lane Blacktop is in some ways, Easy Rider in cars, though the characters have more interest in their vehicles than Fonda and Hopper who were more interested in drugs. It certainly shares it's laidback, cool vibe. Or is that lazy and comatose? Depends on your point of view, but Two-Lane is definitely better without compromising the idyllic idea of freedom.

The script is so lean the characters don't have names. Driver and Mechanic as they are credited, are also played by singers who can't act. That sounds like a criticism, but it's just an observation, because their manner was ideal and they weren't tasked with any sort of development. This is a film about mood and, I felt, a melancholic nostalgia for a time that surely couldn't last. The very final shot is as memorable and poetic as any.

The story, such as it is, follows the two as they drive across America challenging other drivers and entering competitions in drag racing to earn money. Get a proper job, you might say! But that's kind of the point. They pick up a hitchhiker... well, actually she just gets in the car when they stop for food. Then they get in and ignore her and carry on the journey. They say nothing for miles! Which pretty much tells you the whole style of things just kind of happening without argument or commentary. An urban natural order perhaps.

They keep tussling with the driver of a G.T.O. and finally make a bet for the cars on who can get to Washington first. That might sound like a plot, but trust me, it isn't! You have to see it to see why. Warren Oates plays an incredible character in a very poignant role as "G.T.O.". He's a show-off seemingly trying to fit in and be hip who annoyed me at first, but he gives the film a purpose and some much needed dialogue and by the end, he's a heartbreaking figure. For a film that seems so light, his part is brilliantly written. He picks up a string of hitchhikers (each one a comedy moment in their own right, especially Harry Dean Stanton) and gives each one a different story. One he tells the story to twice, so used as he is to lying. He reminded me a little of Leonard in Memento; it's impossible to know how long he has been out on the road or why. It gives the film a mysterious sad quality.

That character and the commitment to the mood make for a powerful screenplay, while Monte Hellman's direction is similarly restrained. There's plenty of driving of course and plenty of talk about cars, but very few stunts unless you count track shots at drag races. There is one highlight when they spin off the road to avoid an accident, but this isn't a pure petrol head experience. They do sound great though!

It's very hard to commit and say whether this film, like might be said about Easy Rider, is monumental work of art or a pointless exercise in boredom. It's wide open to interpretation. I loved it. G.T.O. made sense of the whole lot for me and made it a very memorable experience and I look forward to seeing it again. If you fancy challenging your conceptions about what makes a good film, give it a shot. It's a little bit of French New Wave played out on the American highways!

The Criterion DVD is superb. If you enjoy the film (big "if" possibly!) the interviews and features expand on it brilliantly. Nice feature about tracking down and restoring the Chevy too. Comes with a "book". Wasn't sure what to do with that; certainly wouldn't fit in the DVD player... :P

The Car's the star: Custom Chevy versus Ford Pontiac G.T.O.


Trailer

(From Car Movie Marathon on August 20th, 2008)

Member's TV Reviews

Miracles Marathon, a review by addicted2dvd


Miracles Marathon

1. The Ferguson Syndrome
Paul is sent to investigate what he ultimately comes to believe is a real miracle - a young boy named Tommy Ferguson who has the power to heal. But Tommy's gift costs him dearly after he uses it to save Paul's life - a life which, it seems, will never be the same.

Guest Stars:
Jacob Smith
Tamara Taylor
Sybil Temchen

My Thoughts:
This is a great introduction to the series. It is very well done and you can't help but to care for the characters. I thought they young boy did a great job in this episode. One of the women in this episode looked familiar. And sure enough... I knew who she was. Tamara Taylor guest stars in this episode. She is now on the series Bones as Dr. Camille Saroyan. This episode really grabs you from the start when Paul must debunk a miracle where a nun that has been dead for over 100 years was dug up to be moved... only to discover she looks like she died the day before. Excellent episode!

My Rating:

(From Miracles Marathon on December 20th, 2009)