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2046, a review by Jon2046 4 out of 5 '2046' continues the story of Chow Mo Wan (Tony Leung - 'Hero') from Wong Kar-Wai's previous film, 'In The Mood For Love', a few years after his ephemeral affair with Maggie Cheung's Su Li-zhen. Set in late-1960's Hong Kong, Chow is now an out of work journalist and pulp fiction writer living in a cheap hotel. Bruised and battered by love, he pursues a playboy lifestyle of zero commitment and one-night stands. He develops a passion for a beautiful call girl (Zhang ZiYi - 'House Of The Flying Daggers'), enjoys a breezy summer with the hotel manager's eldest daughter (Faye Wong), and happens across the path of a professional gambler (Gong Li) who he met in Singapore some years before. In the meantime, Chow works on a science fiction novel about a mysterious hi-tech train that transports people to the year 2046 to reclaim their lost memories. In The Mood For LoveTaxi Driver and GoodfellasIn The Mood For LoveCrouching Tiger Hidden Dragon and her character of Bai Ling ranges from fiercely confident to fragile. Really amazing performance. As a film in its own right, it is quite brilliant and unique. As a sequel it is fascinating. Only in direct comparison with the peerless In The Mood For Love does it falter. Original review of In The Mood For Love (From Jon's Alphabet Marathon 2010 on July 18th, 2010) Kill Bill: Vol. 1, a review by AntaresKill Bill Vol. I Year: 2003 Film Studio: Miramax Films, A Band Apart Genre: Action, Martial Arts Length: 111 Min. Director Quentin Tarantino Writing Quentin Tarantino...Writer Quentin Tarantino ...Original Characters By Uma Thurman ...Original Characters By Producer Harvey Weinstein (1952) Bob Weinstein (1954) Erica Steinberg E. Bennett Walsh Lawrence Bender (1957) Cinematographer Robert Richardson (1955) Music The RZA ...Composer Stars Uma Thurman as The Bride Lucy Liu (1968) as O-Ren Ishii Vivica A. Fox as Vernita Green Daryl Hannah as Elle Driver David Carradine (1936) as Bill Michael Madsen (1958) as Budd Julie Dreyfus as Sofie Fatale Chiaki Kuriyama as Gogo Yubari Review. Whatever this overrated , Kill Bill vol. 1Natural Born Killers. Surreal scenes of senseless violence interspersed with quirky and campy characters dominate the breadth of this films duration. While this concept worked well in Reservoir Dogs and to a lesser extent in Pulp Fiction, it now seems as fresh as day old bread. Countless scenes that were by the director from his favorite films of the past are re-imagined in his own YojimboSamurai Assassin, to which Uma responds, yes you guessed it, Maybe Quentin should try his hand at commercials. Just think of all the material he could lift and re-use to pay Branded to Kill or Youth of the BeastSamurai Assassin, Sword of Doom or Kill!Samurai Rebellion. For a film with a vengeful female assassin, you only need to watch Lady SnowbloodRatings Criterion (From Kill Bill Vol. I (2003) on December 9th, 2009) "Due South" marathon, a review by Tom2.10 We Are The Eggmen (1996-02-29) Writer: Paul Haggis (Created By), James Kramer (Story By), Peter Mohan (Screenwriter), Michael Teversham (Screenwriter) Director: George Bloomfield Cast: Paul Gross (Constable Benton Fraser), David Marciano (Detective Ray Vecchio), Beau Starr (Lt. Harding Welsh), Tony Craig (Detective Jack Huey), Catherine Bruhier (Elaine), Ramona Milano (Francesca), Camilla Scott (Inspector Margaret Thatcher), Louis Del Grande (Lyndon Buxley), Alan Peterson (Sneed), Vlasta Vrana (Henri Cloutier), Mike Hodge (Linus Prince), Aron Tager (Bert Block), Geza Kovacs (Marshack) I remembered this being a fun episode, and I was remembering correctly. We have a crazy storyline and a lot of fun character moments. Frannie and Ray bickering. Thatcher having a bigger role and tagging along on the case. Rating: (From "Due South" marathon on August 20th, 2009) |