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Member's Reviews

Sweeney Todd: The Demon Barber of Fleet Street, a review by Dragonfire


Sweeney Todd: The Demon Barber of Fleet Street



Johnny Depp and Tim Burton join forces again in a big-screen adaptation of Stephen Sondheim's award-winning musical thiller.

My Thoughts

I love this movie.  I saw it in the theater, have the soundtrack, and a book about the making fo the movie.  I decided last year to watch it along with Sleep Hollow every year around Halloween.  I know some people will dismiss the movie because it is a musical, but it truly works as a horror movie.   A man wants revenge and starts killing people.  The bodies are then put in meat pies and sold to the public.  Many of the murders committed by Sweeney are shown.  Blood is everywhere, gushing and spraying all over the place in a very exaggerated way.  The movie is very twisted, which is a bit part of what I like about it.  The movie will be too violent and twisted for some people.  The characters are interesting and conflicted and the cast is wonderful.  Johnny Depp does wonderful in the part, conveying a lot through his expressions.  He and the rest of the cast do well with the singing too.  Alan Rickman is wonderful as yet another villain.  He is so good at playing nasty, evil characters. 



I did get a review posted on Epinions after I saw it in the theater.

Sweeney Todd: The Demon Barber of Fleet Street

(From Dragonfire's Halloween/Horror Marathon 2009 on November 1st, 2009)

Member's Reviews

El Amor brujo, a review by Antares


El Amor brujo (1986) 81/100 - I bought Saura's Flamenco Trilogy for my wife many years ago and started to watch the first film in the trilogy, Bodas de sangre with her, but I just couldn't get into it. Years have passed by, and I've decided to try again, but this time, starting with the last film in the trilogy. According to the liner notes, this was to be Saura's most narrative story of the three, and after finishing it, I wished I had started with this one many years ago. This is a hauntingly beautiful film with a pretty basic story, but is highlighted by some magnificent dancing and also by the vibrant music of early 20th century Spanish composer, Manuel de Falla. You can definitely hear the influence of Maurice Ravel in his compositions, but he definitely puts his own stamp to the alluring rhythms used in the ballet. When combined with some very creative dance routines, this becomes not only a feast for the ears, but for the eyes as well. There is one dance routine that had me mesmerized as Carmelo pronounces his love for Candela as the two dance amongst wind driven clothing, hanging on clotheslines. Candela is still haunted by the memory of her dead husband and tells Carmelo that they can never be together. As they dance, they intertwine to the pulsing of the music, but they never touch. And through the separation, you come to understand that they won't become lovers as long as Candela is haunted by her husband's spirit. The film takes a little while to get going, but in the end, it is well worth the time you invest into it. I'm now looking forward to going back for the other two films.

Teal = Masterpiece
Dark Green = Classic or someday will be
Lime Green = A good, entertaining film
Orange = Average
Red = Cinemuck
Brown = The color of crap, which this film is


(From Antares' Short Summations on May 6th, 2015)

Member's TV Reviews

Angel Marathon, a review by addicted2dvd


Angel: Season 3

13. Waiting in the Wings
Original Air Date: 2/4/2002
While attending a performance by a renowned ballet company that he also saw back in 1890. Angel realizes that nothing has changed - including the dancers.

Guest Stars:
Mark Harelik
Mark Lutz
Summer Glau

My Thoughts:
This may be my least favorite episode of Angel. It is definitely my least favorite up to this point. I always found this one to be just slow and boring. Especially the scenes in the Ballet. Until today I never realized that the Prima Ballerina was played by Summer Glau (Firefly & Terminator: The Sarah Connor Chronicles).

My Rating:

(From Angel Marathon on March 14th, 2010)