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The Texas Chainsaw Massacre, a review by Jon

The Texas Chainsaw Massacre
5 out of 5



Five kids in a van pass by an old deserted house that used to belong to one of their families. The neighbours house isn't quite so deserted. And so the scene is set for one of the most influential horror films, loosely based on the exploits of Ed Gein, also the inspiration to Psycho amongst others.

The most shocking thing about The Texas Chainsaw Massacre is I liked it! I've seen it before and didn't understand the fuss. It was on TV though so maybe it was still cut. Certainly some of it's more surreal moments originally threw me, but this time I understood it's deserved reputation.

It's really very cleverly put together and although it's served as inspiration for so many films that came after, those pretenders really miss the point and have none of the attention to detail in both setting and narrative, while dragging themselves down with unnecessary exposition. The recent remake is a case in point. As a slasher, it's adequate, but this original was never supposed to be a mere slasher.

The five teens have very little backstory. From beginning to end we learn very little about them. No angst, in other words. A sulky cripple feeling left out is the most we get. This actually makes them more human and the eventual attacks more savage. Normal people on a road trip don't pick that moment to play out all lives tragedies, so these regular kids seem more real. Other characters in the early part of the film are also given only the barest material to get through the scene, meaning there might be genuine surprises toward the end. And even if you do see them coming, the film never tried to trip you up in the first place so it feels right. There's also a surprising amount of humour. Again there's no over-playing the irony, but it's there and should make you laugh albeit guiltily!

That commitment to it's own story is old fashioned film making. As are hints at what's to come. Instead of the modern style of talking about feelings and morals, these teens discuss how the old slaughterhouse despatched the cattle, worry about trivial meanings in horoscopes or find evidence of ritualistic killing, all of which subtly screams "run!", but they pay it no heed. Instead of opening their hearts, we learn how their hearts will be opened! It's a fascinating example of just how good cinema was in the 70s; old fashioned methods with new independence. Why modern versions can't see that balance, I'll never understand.

Everything is in the preparation in this film. The house they wander up to to ask for help (not the wisest move) is astonishing in the detail. Bones and feathers, grime and decay, all litter the place. It looks like they've wandered into a pit of death, and the host ain't too friendly either. Leatherface's entrance is simple but devastatingly effective. His massive frame suddenly fills the a doorway and he immediately clobbers his first victim with a sledgehammer then slams the door shut! No music here and throughout the film also just let the images linger. That's right for this film, but I'm not saying music isn't right in general; Hitchcock's take on the Gein story in Psycho racks up the tension using the exact opposite method.

More killings follow and none are gratuitous. Leatherface kills like a slaughter man kills cattle (as we learned earlier) and we don't really see much. With that setting, the marvellous sound design and simple reactions from the victims, our imagination fills in the blanks. I don't about you, but I need to have words with my imagination; it's far too descriptive...

The last act of the film, which I previously hated, is actually a further descent into depravity in perfect keeping with the rest of the film. Grandad's the best killer of all apparently, but his decrepit efforts are hilarious and disturbing at the same time. The shot of the victims desperate eyeball is fantastic as she makes a last desperate bid for sanity.

Those perverse final images of Leatherface whirling his chainsaw around confirm what the earlier scenes suggested. That he is scarier and more tangible than almost any other screen horror villain I can think of. I reckon if you check his fridges you'll find both Jason and Freddy! But not Michael. He is another matter entirely.  

(From October Marathon: Horror! on October 15th, 2008)

Rock of Ages, a review by Dragonfire

Rock of Ages



I'm going to start by saying that this is not a movie for everyone. Some will hate it - I have a feeling Pet would run clear to Canada to avoid it - but I do think it is a fun, entertaining movie for people who like musicals and 80s rock. 

The plot is fairly simple, telling the story of a small town girl going to Los Angeles with dreams of stardom.  She meets a boy with the same dreams, they fall in love, then things get screwed up and she has to put her life back together. 
A slightly older rock star, so drunk that he doesn't have a clue about anything is performing one last concert with the bad that made him famous at the first club they performed in.  A group of religious fanatics targets the club and the singer, protesting and trying to shut things down.  Several things about the plot are predictable, but the movie is still really fun.  There are a few complications that pop up here and there, but it is fairly clear that things will be fixed.  There are touches of romance and some humor at times.

The music, which is all 80s rock, receives the most attention, with all the characters singing at least a little bit.  I still like 80s rock, and this movie, that is based on the Broadway musical, uses great songs.  I recognized all of them, though it did take me a little longer with a few of them.  I think the songs work well to help move the story forward and don't seem silly even though people break out into song all over the place.  There is a need to suspend disbelief when it comes to that.  The cast all sings well and I admit I was surprised by how well some of them sound.  Maybe some of that is something done in the studio, but however it is achieved, the singing sounds good.  Julianne Hough's voice is nice, but there is something about that..I'm still not sure exactly what is it.  In some songs, her voice doesn't sound strong enough for the song.  Alec Baldwin does really good with his singing and even takes part in a ..ummm...unexpected version of Can't Fight This Feeling.

I really don't consider myself a Tom Cruise fan, but I'll see his movies if I think they look interesting.  I didn't think too much about his casting in the movie, though I did wonder at times about him being cast as Stacee Jaxx, the rock star.  He is really good in the movie.  He becomes the character, stumbling around in a drunken haze, unable to keep a shirt buttoned, but still able to rock it out on stage in a really good version of Pour Some Sugar on Me.  He is completely believable in the part and he can sing.  At least he can sing 80s rock. 

Rock of Ages is a bit predictable, but it is a fun, entertaining movie that I think is worth checking out for people who like this type of movie or who like 80s rock.  I plan to get the movie when it is out and I want the soundtrack.  This movie isn't for everyone though.



I did get a longer review posted at Epinions.

Rock of Ages 

(From Rock of Ages on June 16th, 2012)

"Due South" marathon, a review by addicted2dvd

The Wild Bunch

This is another great episode. Gotta love the episodes that center around Deifenbaker. And as was mentioned above... I am glad they touched on the fact that having a wolf in the city can be a dangerous thing.

My Rating:

(From "Due South" marathon on July 23rd, 2009)