Rumour Has It



At last there's a movie for anyone who's ever looked at the eccentrics and oddballs in his or her family and wondered: Who are these people? Jennifer Aniston stars in and Rob Reiner (When Harry Met Sally...) directs a star-powered romantic comedy about family, love, marriage and other major catastrophes.
Aniston portrays Sarah Huttinger, whose return home with her fiancé convinces her that the sedate, proper, country-club lifestyle of her family isn't for her, and that maybe the Huttinger family isn't even hers. Join Sarah as she uncovers secrets that suggest the Huttingers are neither sedate nor proper – and as Kevin Costner, Shirley MacLaine and Mark Ruffalo join the fun. The story is rumor. The laughs are real!

Laid back and easy going movie, quite a novel storyline link to The Graduate, the film was made for me personally by Shirley MacLaines brilliant role as the grandmother (and Mrs Robinson). It is a comedy romance with all the usual ingredients, several funny and embarrassing moments, a nice pace that keeps you watching, and of course a happy ending.
If you are a fan of this genre, and do not mind Costner and Aniston, then I would recommend this non-taxing film.
 

Truth About Charlie



Jonathan Demme's THE TRUTH ABOUT CHARLIE is a swirling romantic suspense thriller, a remake of the 1963 Cary Grant and Audrey Hepburn vehicle, CHARADE. Set in Paris, the film stars Thandie Newton as a British ex-pat whose art dealer husband is murdered while she's on vacation. Arriving home, she is met with an empty apartment, the French police, and an array of mysterious thugs who believe she knows where her husband stashed six million stolen dollars. Mark Wahlberg plays the handsome, beret-sporting stranger who comes to her rescue, but who may not be what he seems. Special mention goes to Tim Robbins as a shadowy American agent, and Christine Boisson as the cool-as-nails police commandant trying to get to the bottom of the matter.

Truly awful remake of Charade, Cary Grant and Hepburn would be spinning in their graves. The whole cast lacks chemistry despite some big star names, the writing is dreadful with a tired old plot full of holes, and every storyline and character twist can be spotted a mile off.
A dog of a film that should be filed under 'Trash'
 

Sweet Sixteen



Using a cast of unknown actors and newcomers, Ken Loach fashions another gritty social drama in SWEET SIXTEEN. In his acting debut, Martin Crampston plays Liam, whose mother is about to be released from prison on his 16th birthday. Liam recognises that the only chance for the pair of them to escape the poverty of their surroundings is to move away from the Greenock council estate they live on. However, to realise this dream he will need to get hold of some money. Roping in his friends to help, he sets out on a series of increasingly dangerous schemes to raise cash and soon finds himself out of his depth.

Typical Loach, gritty, at times depressing, a severely harsh look at modern society and it's youth stuck at the bottom of the pile. Incredibly difficult to follow some of the strong Scottish accents, to consider these were unknown actors the Director used is amazing as generally they were superb, especially Martin Compston in the lead role.
Completely unforgiving film, where the message that hope is futile and a better life does not exist for some of our society, is incredibly powerful and thought provoking. Not for the easily offended due to the continual coarse language and graphic violence, it is perhaps a film that should be seen as it is so raw and real.
 
 

Mission to Mars



From the director of Mission: Impossible comes the thrilling, eye-popping science-fiction adventure Mission to Mars - starring Gary Sinise (Snake Eyes) and Tim Robbins (Austin Powers: The Spy Who Loved Me). The year is 2020, and the first manned mission to Mars, commanded by Luke Graham (Don Cheadle, Out Of Sight), lands safely on the red planet. But the Martian landscape harbors a bizarre and shocking secret that leads to a mysterious disaster so catastrophic, it decimates the crew. Haunted by a cryptic last message from Graham, NASA launches the Mars Recovery Mission to investigate and bring back survivors - if there are any. Confronted with nearly insurmountable dangers, but propelled by deep friendship, the team finally lands on Mars and makes a discovery so amazing, it takes your breath away. Mission to Mars is an action-packed rocket ride that will enthrall you with its stunning special effects and keep you on the edge of your seat.

2001 inferior copy, but with enough special effects and originality to make it viewable. A touch too much sentimentality in a sci-fi for my taste, but the pulsating score and thought provoking ending turned it from a potential onion to a respectable film. Acting was hit and miss, Robbins miscast but Sinise perfect.
Its a marmite film, you'll likely to love it or hate it. I sit on the fence as I found it ok.
 
 

Catholic Boys



Michael Dunn (Andrew McCarthy) has a great choice of friends. A newcomer to St Basil's, a strict Catholic boys' school in Brooklyn, he falls in with Rooney (tough and dumb), Williams (oversexed), Corbet (a born follower), and Caesar (fat and self-styled genius). This rebellious group gets caught in the crossfire between the repressive and liberal elements in the school, represented by Brother Constance, who likes picking boys up by their ears, and brother Timothy (John Heard), the worldly young priest with a penchant for cigarettes and drink.
Donald Sutherland plays the stern but sympathetic headmaster, Brother Thadeus, in this warm and rousing comedy about a group of young boys growing up, rebelling and discovering who they are.

Nostalgic film from the 80's, a perfectly crafted mix of comedy and drama. The acting is top notch, Mary Stuart Masterson and Andrew McCarthy turn in great performances as the leads, ably supported by Kevin Dillon, Dempsey and Donald Sutherland as the headmaster.
Fresh outlook on adolescents, school years, discovering 'lust', and the growing pains of young lads.
 

Redemption



Stan "Tookie" Williams founder and member of Los Angeles' notorious gang The Crips, was once the most feared man on the cit streets. His reign of terror was finally brought to an end when he was convicted of multiple murder and sent to the infamous San Quentin prison where, even from his cell on Death Row, his reputation lives on. But when journalist Barbara Becnel is granted an interview,instead of a brutal thug she finds a man intent on putting his life of crime behind him as well as gang warfare.

Unbelievably glossy portrayal of a murdering gang member, Williams is made out to be some form of Saint which is of course far from the truth. It amazes me how a convicted and self confessed murderer gets so much acclaim for his miraculous rebirth and consequent work and books to reduce gang crimes and the violent culture associated with many cities in the States. I wonder whether the release of this film was intentionally just before his clemency hearing?
As a film I did not find myself caring about the characters, Foxx is a good lead but did too many scenes which were solely focused on his face or in the visiting rooms, as if that would tell us his story. It is very predictable, artistic license has gone haywire by the director, and the violence and brutality of Tookies early life and initial time in jail is swept under the carpet.
This movie has had an overdose of Hollywood treatment and smacks of a PR piece by Tookie, and the legacy he built up in the 70's and 80's through extreme violence and murder is ignored. Emotionless and disappointing film.
 

Unleashed



Martial-arts superstar Jet Li delivers a break-out performance in the gripping, action-packed story about a man raised from childhood by a ruthless crime boss (Academy Award® nominee* Bob Hoskins) to be a violent killing machine. When a blind piano tuner (Academy Award® winner** Morgan Freeman) takes him in, Danny (Li) tries to start a new life, but his brutal life follows him, forcing him to fight back. Featuring breathtaking fight choreography by Yuen Wo Ping (The Matrix and Kill Bill: Vols. 1 & 2).

A boy raised like a dog, trained to kill by cockney gangster Bob Hoskins (perfect for the role), taken in by an all-seeing blind piano tuner, and supposedly set in Glasgow. So the plot sounds ridiculous, but it is still very enjoyable and entertains all the way through. A solid mix of tongue-in-cheek humour, incredible martial arts, good action and originality. Jet Li is typically impressive, and a supporting cast that includes Freeman, Condon and my old cockney wideboy favourite Tamer Hassan is sure to deliver the goods.
Park your reality and enjoy this action comedy.
 

Never Say Never Again



In this remake and updated version of the 1965 THUNDERBALL, James Bond (Sean Connery), who has been primarily teaching for the last few years, is quite happily yanked out of semiretirement to deal with the deadly SPECTRE organization's newest plan for the destruction of the planet. (The Bond story line mimics Connery's semiretirement from the role, which he had last played in 1971's DIAMONDS ARE FOREVER.) Agent Number 2, also known as Maximilian Largo (Klaus Maria Brandauer), has managed to steal two cruise missiles armed with nuclear warheads, and Agent Number 1, Blofeld (Max von Sydow), has threatened to explode them in areas with large populations if a huge, and almost impossible, ransom demand from the NATO countries is not met. The film features an excellent gaming battle between Largo and Bond, as well as stunning turns by Barbara Carrera and Kim Basinger. Technically not an offical Bond movie, NEVER SAY NEVER AGAIN was released around the same time as OCTOPUSSY, starring Roger Moore.

Looks like a Bond, smells like a Bond, sounds like a Bond, but it isn't a Bond!
Despite the ingredients being similar, they could not quite replicate the winning formula that is 007. Connery does his best to pull the film through, Bassinger was a convincing Bond girl, and the sexy Barbara Carrera raised temperatures especially when dressed as a nurse with long leather boots. There were exotic locations, plenty of action and fights, and I am sure a fairly hefty budget.
But now the negatives and why it cannot be considered in the same breath as the 007 series. The theme tune is weak, the opening titles (minus the sexist girls) are run of the mill, M is a disaster with Edward Fox, Q is basically absent, lack of flirting with Moneypenny, 007's glib remarks lack the typical punch and cheesiness, the action is below par, the effects disappointed several times (notably the missile scenes), distinct lack of gadgets, and a different and inferior feel to the whole production compared to the mainstream Bonds.
Close - but no cigar