Well, that would depend on your definition of p&s. The image is cropped from widescreen down to 4:3. Whether there is actual panning or not, you are losing image information. IMDb states that the OAR is 1.85:1.
And depending on how the director composes his images "just cropping" can be worse than pan & scan
Well, technically you are correct, of course, but most people don't seem to make that distinction and refer to anything cropped down from widescreen as pan & scan. And depending on how the director composes his images "just cropping" can be worse than pan & scan, so the distinction is moot, in my opinion.If Friedkin did in fact supervise the LD transfer, then his comments in the letter seem a bit strange. But in the end all that matters is that the blu-ray looks and sounds great, and every review that I have read agree on that.
A p&s of a scope film is a totally different film from what was exhibited in theatres...it has been re-shot (panning) and re-edited with numerous "cuts" ("cut" to the actor on the left side of the screen speaking , "cut" to the one on the right, where in the original both are on screen at the same time).
I was referring to cropped standard (ie : 1.66 / 1.75 /1.85, non-scope) ffilms. as in the example of your photos....NOT to (god forbid) cropped scope (2.35/2.55) films.
A p&s of a scope film is a totally different film from what was exhibited in theatres
open matte (flat 35 with mattes removed)...not ideal, but beats true p&s.
This, plus your reference to Seven Brides made it seem like you prefered cropping to p&s on scope films.
In my opinion, any alteration of the intended aspect ratio can ruin the image composition. "Somewhat cropped" is not "essentially the same" to me. But hey, you're entitled to your opinion. Even if you're wrong ;-)
But hey, you're entitled to your opinion. Even if you're wrong ;-)