If this is a prime example of Tarantino's work, then I now know why I've avoided it thus far.
I'm sure they wouldn't consider Hostel as typical fare from him.I sure don't, but I can't stand Eli Roth even more and this film is just ridiculous (I bought it, took many attempt to watch it and I've no intention to lost any more times watching it)...
Wow, I couldn't disagree with you more. Awesome film, best British horror for years, on a par with Asian chillers and I can't think of a US release to match it recently. Properly scary in places. My mate is a bit of a claustrophobic and really struggled with some of the pot-holing scenes!
I know you didn't like it, Hal, but that's a heck of a spoiler! Can't you edit your description? ;)
As it is, the ending I believe depends on the version you saw.(click to show/hide)
I'm really surprised at how critical you are of the cave dwellers. They are simply humanoids who have always lived in the dark so they're appearance and actions are consistent with that. I don't think Marshall was going out of his way to be original with them, just logical. I can't think of the LotR equivalent... :hmmmm:
Sorry, but I did not find this movie the least bit "scary"...just predictable. I told you this is not my favorite genre, and I much prefer the psychological thriller aspects of Dark Water than the ghoulish gore of this movie (never saw the Korean version). And why exactly did they remain underground when there are at least two ways out, and they go out to hunt all the time?? I know, I'm not supposed to over think this kind of thing!First, I like horror films, so my suspension of disbelief is already pre-adjusted. Luckily I caught The Descent during its theatrical run and in my opinion watching this in a darkened theater and on a big screen changes the whole game! For me it was the scariest thing I had ever witness in the cinema, something a home viewing cannot recreate in any shape or form.
I side a bit with Jon on The Descent, but that's not important really. Different people like different film. However...First, I like horror films, so my suspension of disbelief is already pre-adjusted. Luckily I caught The Descent during its theatrical run and in my opinion watching this in a darkened theater and on a big screen changes the whole game! For me it was the scariest thing I had ever witness in the cinema, something a home viewing cannot recreate in any shape or form.
The orginal Dark Water is Japanese, I seem to remember, and isn't gory either. Just unsettling, as it should be.
Oh, sod. Yes you're right, I keep getting Korea and Japan mixed up, I'm sure the inhabitants of both will be pleased to hear! :-[
Dark Water is little more than a haunted house story, but I found the remake to lose the punch. I don't scare very easily, but I definitely got the biggest jump for years from the rooftop sequence! :bag: And The Descent was a close runner up when her hat is scraping across the pot hole... :suicide:
...(in comparison to the peerless original)...
The Blu-ray is getting good reviews (transfer and extras). ;) I ordered mine last week. The two versions are on separate discs, not seamless branched....(in comparison to the peerless original)...
Well, there you go. Something we can agree on!!! :tease:
Thanks for the review Hal... I been considering that movie for a long time... but for some reason never bothered it pick it up.
I found this movie to be very slow-paced at times. Some of the action sequences were good, but much was left to the imagination, e.g., this Gloom concept. It is clear that this movie was intended as a set-up for a sequel. The ending was somewhat anti-climatic and left many unanswered questions. It was just OK.
Rating:
I found this movie to be very slow-paced at times. Some of the action sequences were good, but much was left to the imagination, e.g., this Gloom concept. It is clear that this movie was intended as a set-up for a sequel. The ending was somewhat anti-climatic and left many unanswered questions. It was just OK.
Rating:
They did make the sequel, Hal... Day Watch. It was supposed to be a trilogy, but I lose track of why it didn't happen. I liked Night Watch and have Day Watch, but for some reason still haven't watched it. The director went onto Wanted...
It is amazing how the dread of what is happening can be portrayed without the blood and guts required today. I really enjoyed watching this again.
(http://www.invelos.com/mpimages/02/025192140129f.jpg) | Frankenstein Meets the Wolf Man (1943/United States)
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(http://www.invelos.com/mpimages/02/025192140129f.jpg) | House of Frankenstein (1944/United States)
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(http://www.invelos.com/mpimages/02/025192057328f.jpg) | Bud Abbott and Lou Costello Meet the Mummy: Comedy Legends (1955/United States)
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(http://www.invelos.com/mpimages/02/025192057229f.jpg) | Bud Abbott and Lou Costello Meet Frankenstein: Comedy Legends (1948/United States)
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How did you find Legosi in this, Hal? On a recent documentary, it was suggested that his involvement in the project should have been the final embarrassing straw for his careers decline, but in fact, he comes out of it very well and gives a much better Dracula than in the original film.I would agree with you that his performance here was better than the 1931 film. Not nearly as melodramatic or over-acted, and I think because it was a "comedy horror" he handled the part a bit more light-hearted, which to me was more entertaining.
(http://www.invelos.com/mpimages/08/086162090707f.jpg) | Young Frankenstein: Special Edition (1974/United States)
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